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si003 - kidstardust - maxi | 2008

Tracklist:
A1 – Sam out 4 the Real (Kidstardust)
A2 - Boom Bip (Kidstardust)
B1 - Boom Bip (Adriano Canzian RMX - part 1)
B2 - Boom Bip (Adriano Canzian RMX - part 2)

Marcel Ralle, co-founder and front man of the Munich based electro-dada-futuristic art project "Cloneheadz" is presenting his solo debut as Kidstardust, pseudonym reminiscent of times when he - still a kid - was hanging out every Saterday night in Munich's notorious "Ultraschall" club, dreaming of a an electronic music carreere of his own. The 12" vinyl/maxi presents on its A-Side two original art pieces named "Sam out 4 the real" and "Boom Bip" and on its B-Side two remixes of the second piece "boom bip" done by Adriano Canzian, well known electro-digerati from Milano/Italy (Gigolo Records).

KIDSTARDUST - released by Soka Intern Records / Munich - July 2008

Marcel Ralle, Mitgründer und Frontmann des Münchner electro-dadaistisch-futuristischen Art Projekts "Cloneheadz" präsentiert unter dem Pseudonym Kidstardust sein erstes Soloalbum, welches an seine Jugendjahre anknüpft, als er, damals selbst noch ein Kid, jedes Wochenende in Münchens Number One Electronic Music Club "Ultraschall" von einer eigenen elektronischen Musikerkarriere träumte. Die 12" Vinyl/Maxi präsentiert auf der A-Seite die beiden Original Master Pieces "Sam out 4 the real" und "boom bip" und auf der B-Seite zwei Remixes von "boom bip", angefertigt vom bekannten Milaneser Electro-Digerati Adriano Canzian (Gigolo Records).

KID

Life itself has become a show contemplated by an audience. That audience is anyone who has no control over the conditions of his/her own existence. Reality is now merely something we look at and think about, not something we experience. In the real world, what is possible is determined by our resources and the limits of our imaginations, but upon this real world a totally fake world - the Spectacle - has been constructed. It is maintained on a microscopic level by our conversations and relationships; in our simplest everyday dealings we engage in the construction of social illusions. The Spectacle is a constructed reality. It does not satisfy, it cannot satisfy. It offers only the dream of satisfaction.
The basic characteristic of the spectade today is the way it calls attention to its own disintegration.The effect of this is the substitution of images and commodities for "real" experience. People enter into relationships with spectacular production rather than each other. Isolated individuals, united only by a passive contemplation of the spectacle. A manufactured alienation for manufactured personalities that multiplies needs precisely because it can satisfy none of them. Industry creates new needs to stimulate consumption and productivity.

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